It provides a deep historical account of the cut-and-paste techniques now prevalent with architecture’s digital turn, demonstrating the great importance of montage to architecture past, present, and future. Richly illustrated with never-before-published material from more than a dozen archives and private collections, Graphic Assembly offers a comparative overview of the network of experimental architectural practice in Europe. It gives a thorough account of how montage concepts informed the design of buildings, prototypes, models, exhibitions, and multimedia environments, accompanied by Buckley’s insightful interpretations of the iconic images, exhibitions, and buildings of the 1960s that mark how the decade is remembered. Graphic Assembly considers a range of architects and movements from the 1950s through the early ’70s, including Theo Crosby, Hans Hollein, and John McHale the magazine Clip-Kit and the groups Archigram, Superstudio, and Utopie. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies enabled avant-garde architects to reimagine their field. The relationship of Neufert to the Third Reich, and the link between the .Īn innovative look at the contribution of montage to twentieth-century architecture Graphic Assembly unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. See Ernst Neufert, Bauentwurfslehre: Grundlagen, Normen, und Vorschriften ueber Anlage, Bau, Gestaltung, Raumbedarf, Raumbeziehungen (Berlin: BauweltVerlag, 1936). It argues that the user is not a universal but a historically constructed category of twentieth-century modernity that continues to inform architectural practice and thinking in often unacknowledged ways. Use Matters is the first to assemble this alternative history, from the bathroom to the city, from ergonomics to cybernetics, and from Algeria to East Germany. As the essays assembled in this collection show, interest in the elusive realm of the user was an essential part of architecture and design throughout the twentieth century. Expanding utility to embrace people’s everyday experience brings new promises for the social role of design. Within only a few years, from 1932 to 1935, Architectural Graphic Standards (AGS), Time-Saver Standards (TSS) and others in the United states, Ernst Neufert's Bauentwurfslehre in Germany as well as others in England were all introduced .įrom participatory architecture to interaction design, the question of how design accommodates use is driving inquiry in many creative fields. This book consists of two parts: "Biometrics" and "Machine Learning for Biometrics." Parts I and II contain four and three chapters, respectively. This book introduces some new techniques on biometrics and machine learning, and new proposals of using machine learning techniques for biometrics as well. Machine learning has been used to solve many interesting and often difficult real-world problems, and the biometrics is one of the leading applications of machine learning. We are entering the era of big data, and machine learning can be used to analyze this deluge of data automatically. The author developed the book based on the previous work of . Architects' Data is reference book for spatial requirements. Bauentwurfslehre is a German word means Architects' Data a book authored by Ernst Neufert a German engineer.
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